White Satsuma
Thin ivory-white ware painted in gold and colour for the lord's use; world's fairs made it an export line called simply SATSUMA.
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Thin ivory-white ware painted in gold and colour for the lord's use; world's fairs made it an export line called simply SATSUMA.
The black ware ordinary people used - undecorated, its shape decided entirely by what it had to do.
Subtropical broadleaf forest through the island's centre - the plants and birds Tanaka Isson spent his last years painting.
Each hamlet keeps its own bull; the harness and rope designs work as the village's emblem.
A port that also held a samurai settlement, its stone walls and hedges in the Satsuma manner.
Southern Kyushu has its own burial type - a shaft dug down and a chamber cut sideways, found nowhere else.
River cobbles walling off each plot - the technique of stacking round stone shared across this district.
Sheds along the harbour where fish are smoked for months into what is said to be the hardest food in the world.
Administratively Kagoshima but linguistically and architecturally closer to Okinawa - an island where the border is not the boundary.
Fermenting jars are sunk into the floor, so the surrounding earth holds the temperature steady.
The lords set pottery, glass and metal workshops in their own castle town and directed them personally.
Walled in limestone like a Ryukyuan castle, holding both the kingdom's record and the systematic collection of postwar Okinawan art.
A private museum on land reclaimed from a US base; its roof stair splits into six steps and twenty-three, for the 23rd of June.
A palace mixing Chinese and Japanese form into something Ryukyuan; burned in 1945, rebuilt, burned again in 2019, and now rising a third time.
The royal mausoleum, its stone roof carved to imitate wooden shingles - the first building in Okinawa designated National Treasure.
The quarter where the kingdom gathered all its kilns; it escaped the war, and workshops still line the paved street.
A kiln found during construction was left in place and built around, shown underground beneath the galleries.
Stencilled paste resist with pigment rubbed in - a meeting of Chinese, Southeast Asian and Japanese dyeing, in colours built for southern light.
Woven for the royal house; one of its weaves could be worn only by the queen and princesses.
Its tsuikin technique - lacquer kneaded with pigment and applied like clay - exists nowhere else; the court ran the workshops.
Part of a royal highway; 238 metres survived the war, walled in stone between great trees.
One of the few gentry houses to survive the war intact, its walls and windbreak trees complete against the typhoons.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.