Yakusugi Museum
The Yakusugi Museum on Yakushima. It studies cedars that are thousands of years old.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
7,801 entries / page 322 of 326
The Yakusugi Museum on Yakushima. It studies cedars that are thousands of years old.
The Environmental and Cultural Village Center on Yakushima. It is responsible for environmental education on the World Natural Heritage site.
The Amami Museum. It deals with the culture and natural history of the island.
The World Heritage center in Amami. It is responsible for the conservation of endemic species such as the Amami rabbit.
The prefecture's institute for agricultural development. It handles sweet potatoes and Kurobuta pigs.
The prefecture's forestry technology center. It studies forests, including Yakusugi.
The prefecture's fisheries technology and development center. It surveys the farming of greater amberjack and the resources of the Kuroshio Current.
A stencil dyeing in which a stencil is laid down, pigments are applied and colors are layered. There is also aigata, dyed with indigo alone. It was worn by the royalty and gentry of the Ryukyu Kingdom.
Hanaori of Chibana, Okinawa City. The warp threads are floated to bring out the pattern. It died out once and was later restored.
Hanaori of Haebaru. Patterns are woven by the float-weave technique. A production area in the south of the main island of Okinawa.
Jofu of Ishigaki and Taketomi. Ramie is woven and finished by umi-zarashi, in which the cloth is soaked in seawater and bleached in the sun.
Textiles of Yonaguni Island. Four types are woven, including hanaori, dutati and kagannubu.
Pottery of Tsuboya, Naha. Arayachi is unglazed and joyachi is glazed. It is known for shisa and dachibin flasks.
The processing of the snakeskin stretched on the sanshin. Python skin is tanned and stretched.
Kasuri of Ryukyu. Threads are bound and resist-dyed, and geometric kasuri is woven. More than 600 designs are recorded.
The textile association of Shuri. It carries on techniques handed down from the royal government, such as hanakura-ori and doton-ori.
The traditional textile association of Naha. It passes weaving techniques on to the next generation.
The prefecture's craft promotion center. It provides techniques in dyeing and weaving, ceramics and lacquer art to companies.
The traditional crafts center of Naha. It brings together bingata, Shuri textiles, Tsuboya ware, lacquerware and glass under one roof, and visitors can try making them.
The Tsuboya Pottery Museum in Naha. It conveys the difference between arayachi and joyachi and the history of the production area.
Yachimun no Sato in Yomitan. Potteries that moved from Tsuboya are gathered here and fire a shared climbing kiln.
Kita-gama in Yomitan. Four master potters share the use of a single climbing kiln.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.