Tsugaru Lacquerware
Nicknamed the fool's lacquer for its 48 coats, ground back to reveal a mottling made by eggshell and rapeseed.
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Nicknamed the fool's lacquer for its 48 coats, ground back to reveal a mottling made by eggshell and rapeseed.
Fan-shaped lanterns painted with a warrior on the front and a woman on the back - a festival that compares the painter's two sides.
Three-dimensional warrior figures of wire and paper, made from nothing each year by professional makers, and used once.
Next year's giant lantern is built inside the building all year, from frame to paper, wax and paint.
A relocated Tsugaru farmhouse, its balance of boarded floor and earthen floor set by the length of the winter.
A medieval castle site whose Chinese celadon and Seto pottery show how good the goods reaching the far north actually were.
A stone circle built by alternating flat and upright stones - four thousand years old, and a deliberate act of composition.
In the town from which the first non-stop Pacific flight departed, showing daily objects that carry Nanbu design.
Built around three artists from Iwate: the avant-gardist Yorozu Tetsugoro, the urban painter Shunsuke Matsumoto, and the marble sculptor Yasutake Funakoshi.
It stands in the hometown of a painter who helped pioneer Japan's reception of Fauvism and Cubism. From the hill in Tsuchizawa, you can see the same mountains he painted.
The only surviving Tohoku work by Kingo Tatsuno, architect of Tokyo Station.
A 1927 civic hall by the architect of Waseda University's Okuma Auditorium, still in daily use.
The prefecture's general museum, strong on old Nambu ironware and pre-Hiraizumi Buddhist sculpture.
Samurai armour and swords of the Nambu clan, shown beside a full-size festival float.
Devoted to 130 figures from Morioka, with a strong holding of letters and calligraphy.
Watercolours of wild flowers, shown in a former bank on the Nakatsu river.
Four centuries of cast ironware; the hailstone pattern on each kettle is punched by hand.
Fourteen workshops under one roof, where visitors watch and try the crafts themselves.
The site that proved Jomon pit dwellings had earth-covered roofs. A World Heritage component.
A hall entirely covered in gold leaf, inlaid with mother-of-pearl - the sum of Heian craft in one building.
Finds from the seat of the Northern Fujiwara, whose century of rule made Hiraizumi a rival to Kyoto.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.