Saitama Museum of Rivers
Home to one of Japan's largest wooden waterwheels, telling the land's story through its rivers.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
7,801 entries / page 84 of 326
Home to one of Japan's largest wooden waterwheels, telling the land's story through its rivers.
Set between a river cliff and a ravine, its earthworks preserve the engineering of Sengoku castle-building.
Festival floats are reassembled into a stage; townspeople act, and make the sets and costumes themselves.
Rock metamorphosed deep underground, now surfacing along the river in slabs like laid tatami.
On the site of Japan's first airfield, tracing how aircraft form changed through real machines.
A district settled by refugees from Goguryeo; the thatched Koma house still stands.
Two hundred and nineteen tomb chambers honeycombing a tuff hillside - a burial ground with the force of a landscape.
Dyeing that grew on the Arakawa river, keeping both stencil work and hand-painted yuzen.
A two-kilometre approach, among Japan's longest, forming a green axis through the modern city.
Jointly run by a university and a city, sharing the work of storage and display.
Storehouses raised on flood mounds and homes ringed by windbreak woods - living with water made visible.
A hundred-kilometre pilgrimage linking Kannon halls scattered through mountains and valleys.
Timber rafted down to Edo from these hills; sawmills and woodworkers still shape the town.
Second only to Mogami as a safflower district, sending rouge dye to Edo; the merchants' storehouses remain.
A post town on the Nakasendo, its street plan still legible in the surviving townhouses.
Tea rows follow the contours like drawn lines - geometry produced by agricultural logic.
A joinery town whose craftsmen now fit out public buildings with local timber.
The rivers that fed Edo; their dykes and sluices still divide the flat landscape.
Founded by growers who left Tokyo after the 1923 quake, with street widths and hedges written into its rules.
Centred on Chu Asai, a founder of modern Western-style painting in Japan, in a low horizontal building by Masato Otaka.
Outstanding in Edo painting and ukiyo-e; its entrance hall is a 1920s bank wrapped inside the new building.
The world's first museum devoted solely to photorealist painting, its steel gallery cantilevered 30 metres into the air.
Among the world's largest shell mounds; a cut section shows 5,000 years of deposit as a standing wall.
The prefecture's central museum, designed as one with the ecological garden outside it.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.