Fishing Villages of Miura
Fishing hamlets pressed against wave-cut rock platforms - terrain and livelihood in direct contact.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
7,801 entries / page 92 of 326
Fishing hamlets pressed against wave-cut rock platforms - terrain and livelihood in direct contact.
A literature archive rich in book design and illustration - as much about the made book as the text.
Nine kilometres of earthworks once enclosed the entire town - the scale of a medieval fortress, still walkable.
Unusual among prefectural museums for its Western modern holdings, shared with its sister museum in Niigata city.
On the fifth floor of a tower by the river mouth, sharing one collection with the museum in Nagaoka.
A late work by Kunio Maekawa, its tiled walls kept low along the edge of the park.
For the poet and art historian whose blunt, unadorned calligraphy stands apart in modern Japanese writing.
The estate of Echigo's greatest landlord: over a hundred rooms on three hectares, with a hall spanned by single cedar beams.
A merchant's villa built into a dune; the garden came first, and the rooms were placed to look at it.
Keeps the only surviving customs house of Japan's five treaty ports, built at the end of the shogunate.
Systematic on the flame-shaped Jomon pots, and on snow-country life reconstructed at full size.
Fifty-seven flame-shaped Jomon vessels designated National Treasure together - pottery rarely receives that status.
One of the world's largest rural art festivals: 760 square kilometres of farmland, where finding the works means touring the hamlets.
Hiroshi Hara's cloister of galleries around a square pool, the building working as a frame for the art.
A raised building for looking at rice terraces; Kabakov's figures stand in the real field, overlaying poem on landscape.
An existing tunnel remade as an artwork; a film of water on the floor doubles the gorge in perfect symmetry.
Ramie split by fingernail, spun by hand, woven, then bleached on the snow; UNESCO Intangible Heritage.
The ramie technique applied to silk, its kasuri dots so small the pattern is named after mosquitoes.
Hard-twisted weft crinkled by hot water into a summer cloth that never clings; UNESCO Intangible Heritage.
Two centuries of selecting colour and pattern in terrace-fed ponds - a design carried out through living animals.
A metalworking town's archive, following a single copper sheet as hammering turns it into a vessel.
Two centuries of raising copper vessels - spout and body from a single sheet, without a join.
A blade town that began by forging nails for Edo; its forge is open, the fire worked in front of visitors.
A major share of Japan's paulownia chests; the wood swells with humidity, sealing the drawers by itself.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.