Gosen Silk
A silk district working both weave and knit, its foundation the technique of twisting the yarn.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
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A silk district working both weave and knit, its foundation the technique of twisting the yarn.
From ramie to silk kasuri and yuzen; the snow's humidity is what makes the dyeing work.
Nine river terraces stacked above one another - among Japan's largest, a staircase cut by water.
Contoured rice terraces covering a heavy-snow hillside - the ground on which the art festival places its works.
Rough-hewn smiling Buddhas by the wandering monk Mokujiki, rediscovered by Soetsu Yanagi.
A port of call for the Kitamae trading ships, keeping its highway townhouses and its beachfront market.
Art and design treated as equals, with a vast poster collection and a rooftop playground facing the Tateyama range.
A rare public museum devoted to ink painting alone, its low sukiya-like building shaping how the works are seen.
Shares a building with the library; Kengo Kuma's six-storey void is lined with local timber set on the slant.
Built when the city decided to become a glass town; three decades of training has kept the artists living here.
Inside the castle park, built around a businessman's gift of tea utensils and Asian antiquities.
Nine small museums on a hillside, treating even the tools and printing blocks of the medicine peddlers as craft.
A Kitamae shipping port whose main street still holds its merchant houses, the Mori residence among them.
Dancers hide their faces under deep sedge hats and move through a hillside town all night - dance and streets inseparable.
Three papermaking districts designated together; at Yatsuo the paper itself is stencil-dyed.
Collecting around metalwork, as befits a casting town - and working the border between craft and sculpture.
Ninety percent of Japan's bronzeware; begun when the Kaga domain summoned seven casters, now casting contemporary design.
Known for aogai - shell shaved paper-thin and inlaid, shifting through the spectrum as the light moves.
The casters' quarter, its lattice fronts unbroken and its pavements inlaid with the town's own bronze.
Rebuilt in fireproof earthen construction after a great fire, its black plaster fronts hung with cast bronze signs.
Floats that gather the town's metalwork, lacquer and textiles into single objects; UNESCO Intangible Heritage.
Most of Japan's sedge hats are made here, from growing the sedge to the final stitch.
Taught by Kyoto carvers who came to rebuild the temple; the street is still lined with workshops using 200 kinds of chisel.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.