Kaiwomaru Park
A 1930 training barque preserved afloat, its rigging standing as pure structure.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
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A 1930 training barque preserved afloat, its rigging standing as pure structure.
Woodworker, carver, metalsmith, lacquerer and gilder each take a part - the town's whole craft in one object.
Over a hundred lion dances survive in one city, each hamlet's carved head differing enough to trace its lineage.
Merchant houses at a Kitamae port, opening to the sea with their storehouses ranked behind.
Paper from Gokayama kozo and hemp cloth woven in the hills - work for the months the snow shut everyone in.
A route climbing 2,000 metres, whose annual snow clearing carves twenty-metre walls - a form remade each spring.
Painters born in this province, among them the bird-and-flower master Ishizaki Koyo, are held across its museums.
A circular glass building with no front or back; large free zones let people cross through as if it were a park.
Ninsei's pheasant incense burner is a National Treasure; the crafts the Kaga domain nurtured are all gathered here.
The national crafts collection, moved from Tokyo into two relocated Meiji army buildings.
For the man who explained Zen to the West; almost nothing is displayed - the water court and silent room are the exhibit.
Three Meiji brick arsenals in a row on a wooded hill, all Important Cultural Properties.
A sake brewer's tea utensils, shown in his relocated house so the bowls are seen from a tea room.
Masks and robes of the Kaga Hosho school, with masks visitors may wear to feel how narrow the sight becomes.
The heirlooms of the Kaga domain's chief retainers - armour and letters marking the rank of a great house.
A lord built it for his mother; one room's ceiling is painted in imported ultramarine, a luxury of pure colour.
Teahouse buildings raise their upper floors for the guest rooms; fine red lattices align the whole street.
Three-storey teahouses along the river, with narrow lanes dropping to the water.
Earthen walls line the samurai quarter, wrapped in straw mats each winter - protection that becomes a seasonal sight.
Roofed in lead tiles that weather white; one turret is built on a rhombus plan to widen its field of view.
More realist than Kyoto yuzen - it even paints the holes insects left in leaves - and built on five set colours.
Ninety-nine percent of Japan's gold leaf, beaten to one ten-thousandth of a millimetre - the gilding of Kinkakuji and Nikko alike.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.