Kanazawa Lacquerware
Begun when the domain imported Edo lacquerers; its raised maki-e uses gold without restraint.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
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Begun when the domain imported Edo lacquerers; its raised maki-e uses gold without restraint.
Gold and silver hammered into cut iron, a technique born on armour and now turned to jewellery.
Three and a half centuries, father to son: bowls formed entirely by hand without a wheel, under an amber glaze.
Rooms divided by style, so the bold colour fields of old Kutani can be set against the later fine red painting.
Five overglaze colours covering the surface entirely; the kiln died out once, and each revival changed its style.
Kiln-site sherds trace the technique's changes, beside a working studio and climbing kiln.
Held to have Japan's finest woodturning: blanks cut with the grain, then scored on the lathe in hairline rings.
Once called Japan's richest village; the shipowners fenced their houses with old hull planks under red tiles.
Where a young Rosanjin lodged and met the Kutani potters and lacquerers who shaped everything he made later.
One painter's swing from wartime documentary painting to lush postwar nudes, shown in his home town.
At the centre of the Kutani district, on the twin industries of stone quarrying and pottery.
In the birthplace of Hasegawa Tohaku, painter of the Pine Trees screens, and holding an annual exhibition of his work.
The merchant street of old Noto, its townhouses still trading, each shopfront designed differently.
Powdered diatomaceous earth in the ground coat and 124 divided steps make it the toughest lacquer in Japan.
Said to be the world's only museum devoted solely to lacquer, comparing Japanese work with Chinese and Southeast Asian.
A thousand and four paddies stacked down to the sea, each too small for a machine and still worked by hand.
Once the head temple of Soto Zen; rebuilt after fire and earthquake, its cloisters still bind the halls together.
Held at the tip of a peninsula, using depopulated hamlets as its venue and their residents as its guides.
Japan's last agehama salt fields, where seawater is carried by bucket and scattered over sand by hand.
Behind the halls lies a primeval wood no one may enter - preserved precisely by being left alone.
Three-storey farmhouses in a deep-snow village, their height built for silkworm rearing.
Head shrine of 3,000 Hakusan shrines, keeping Heian-period guardian lions among its offerings.
Tadao Ando cut a long stair up the hill so that the climb itself stands for the act of thinking.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.