Yamashiro Kosoyu
A Meiji bathhouse rebuilt from its original drawings, tiled in Kutani ware and glazed with stained glass.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
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A Meiji bathhouse rebuilt from its original drawings, tiled in Kutani ware and glazed with stained glass.
The city takes in young craftspeople for three years; their workshops are open, so the daily work is visible.
Guest rooms painted in ultramarine and red ochre - colour permitted only in the pleasure quarters of a samurai town.
Stacked geometric volumes laid out by feng shui, standing on an island hill.
A seaside spa whose inns use Wajima lacquer and Kaga yuzen indoors, putting the region's crafts inside the architecture.
Five-metre bamboo fences packed solid against the winter wind - a wall produced purely by function.
Temples massed at the edge of the castle town for defence - seventy of them, wall after wall, gate after gate.
A tumbler doll shaped as a swaddled infant, painted red to ward off smallpox.
Kanazawa turned flat paper cords into three-dimensional cranes and pines - the wrapping itself becoming the object.
Giant lacquered and gilded lanterns, up to fifteen metres tall, carried each summer by over 200 hamlets.
Timber columns shaped as Noh hand drums, met by a glass dome - a traditional form built by modern structure.
Built around Okakura Tenshin's papers and Asian art, and a centre for research on the early Edo painter Iwasa Matabei.
Centred on the sculptor Hiroatsu Takata, in a Kurokawa building of cones set against boxes.
A 1950s street rebuilt at full size, its objects placed to match period photographs.
A Sengoku castle town buried whole and excavated street by street; its four gardens are Places of Special Scenic Beauty.
Excavated stone paving preserved exactly where it was found - the Sengoku ground lies under the museum floor.
The lord's villa sits so low over the pond that, seated on the tatami, water fills the whole field of view.
A silver egg half-buried in the hills; among the world's three great dinosaur museums, architecture and display conceived together.
Held to be Japan's oldest paper district, and the only one with a shrine to the deity of paper itself.
A place to try papermaking. At the Udatsu Craft Museum, you can watch craftsmen demonstrate the work.
Begun when a Kyoto swordsmith made sickles here; two blades are hammered out together in a technique found nowhere else.
Nailless joinery dressed in heavy iron mounts, as befits a blacksmithing town.
One of Japan's six ancient kilns; unglazed, its surface coloured only by falling ash, and once shipped all along the north coast.
On a hill where over 200 medieval kilns were found, lining up the great storage jars by century.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.