Yamaguchi Center for Arts and Media
Keeps its own R&D team and commissions works from scratch - a venue that develops art rather than only showing it.
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Keeps its own R&D team and commissions works from scratch - a venue that develops art rather than only showing it.
One of Japan's three finest pagodas; its cypress-bark roofs thin and curve as the storeys taper upward.
Attributed to the ink painter Sesshu, and read as applying the composition of painting to stone and water.
Where Francis Xavier was first given leave to preach in Japan, rebuilt by an Italian architect on a triangular plan.
An Edo map still works as a street map here; the citrus behind every wall was planted to support unemployed samurai.
Built in the form of a samurai residence so as to sit inside the preserved townscape.
Yoshida Shoin taught here for barely a year; from eighteen tatami mats came the men who made the Meiji Restoration.
A trial furnace that never worked, preserved exactly as it was - industrial heritage kept as a record of failure.
Where two Western-style sailing ships were built; the stone breakwater stands as it was.
The traditional furnace that supplied iron for the shipyard - old technology feeding a new industry.
Among the oldest surviving townhouses in Japan, with formal rooms built to receive shogunal envoys.
Five wooden arches built to survive floods, assembled almost without nails and rebuilt every twenty years.
A mountain castle and a valley residence linked by the bridge; the rebuilt keep overhangs its lower storey.
Dedicated to the child emperor drowned at Dannoura, its vermilion gate modelled on an undersea palace.
The castle town of a Mori branch house, its lanes walled in tile-laced earth between temples and samurai houses.
The Mori family mansion itself, holding Sesshu's sixteen-metre landscape scroll, shown each autumn.
Said to be the first shrine to Michizane; one hall began as a pagoda and was converted mid-construction.
One of the few provincial temples where a hall still stands on the original 8th-century site.
A merchant town whose goldfish lanterns are said to have been invented after a trader saw the Nebuta floats up north.
A hundred and twenty-three vermilion gates curve down a cliff toward the sea, following the ground's own line.
Its piers were kept low and its line bent for the view - civil engineering made the subject of the landscape.
Senior retainers' houses, where the height of the gate and wall states the family's rank.
Chambered kilns stepped up the hillside; the slope and the number of chambers decide how the ware comes out.